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serif fonts than the geometrics and the grotesques. They are said to have a ''pen drawn'' look about them. They tend to have subtle variation in weight, especially observable in bold variants. The curve shapes are considerably less rigid than those of the geometrics. Many of them are distinguishable by the ''double story'' lower case g, which is the same shape as the g used in the old style serif fonts. The humanist typefaces are the easiest to use without producing an ugly document as they are relatively compatible with the old style fonts.

7.2.5. Compatible Typefaces

Grouping typefaces is not easy, so it pays to avoid using too many on the one page. A logical choice of two typefaces consists of a serif and a sans serif. Monotype's Typography 101 page provides a category-matchup. They conclude that the moderns and geometrics form good pairs, while the old styles and humanists also go together well. The transitionals are also paired with the humanists. The slab serifs are paired with the grotesques, and some variants of the slab serifs are also said to match the geometrics or humanists.

From reading this, one gets the impression that their philosophy is essentially to match the more conservative serifs with the more moderate sans serifs, and pair the wilder modern serifs with the avant garde looking ( pun unavoidable ) geometrics.

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